Supplement 54B: Hand Ostinatos And Rhythmic Coordination | Part 2 of 3
More lead-hand ostinato work here, using as many different lead-hand patterns as you can manage against the kick and snare underneath. The aim is a good time flow with a genuine feel, not a mechanical one — apply the backbeat and bass drum in a way that supports the lead-hand phrasing, working through both straight and swung 16th-note versions at a range of tempos.