CARL ALLEN
Basic Background Info
| Birth: |
April 25, 1961 |
| Location: |
Milwaukee, Wisconsin |
| Band: |
Carl Allen & The Art of Elvin, Carl Allen & New Spirit, The Carl Allen-Rodney Whitaker Project |
| Genres: |
Jazz |
| Instruments: |
Drums |
| Occupation: |
Musician, Producer, Educator |
| Links: |
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Biography
Growing up in a musically inclined family, Carl Allen's drumming career began at the age of three when he would misuse his mother’s kitchenware for his forays into percussion experimentation. Little Carl grew up listening to R&B, funk, and gospel. He developed a taste for jazz once he heard an LP featuring saxophone legend Benny Carter, and he began taking drum lessons at the age of eight with Roy Sneider. This is where he first received formal instruction in the art of jazz drumming. Carl became the drummer for his elementary school—and then his high school—band.
At the tender age of sixteen, Carl played his first professional live gig for saxophonist Sonny Stitt. His talent earned him a scholarship to the University of Wisconsin, where he studied classical percussion. While there, he was referred to audition for the legendary Count Basie Band. Allen did not feel like he was up to the task quite yet and declined the offer. He pressed on, eager to earn his chops, and transferred to William Patterson College in New Jersey. He graduated with a Bachelor’s Degree in Jazz Studies and performance.
In 1982, a year before his graduation, Allen became the drummer for trumpeter Freddie Hubbard's band. He recorded numerous albums with Hubbard, who became Carl’s musical director and road manager for the next eight years. During those years, Carl was both leader and sideman for a multitude of artists. Currently, he leads the following groups: New Spirit, Carl Allen & The Art of Elvin, and The Carl Allen-Rodney Whitaker Project.
Allen co-founded Big Apple Productions in 1988 with saxophonist Vincent Herring. He takes an extreme hands-on approach—working with the artists from the very start of the writing process all the way until the last note is recorded in the studio. His reasoning is that, "…often, you see the producer for the first time in the studio and then they want to make suggestions about the music. My thing is, 'Where were you when the music was being developed?'"
Big Apple Productions develops new talent and produces music primarily for Japanese jazz labels. Despite the apparent niche market, Carl has earned worldwide recognition as a producer. Carl Allen has grown to be one of the most respected jazz drummers of his generation. His philosophy is simple: don't get in the way of the music and play what feels good.
Discography
| Album Year |
Album Name |
Album Band |
| 1985 | Clarion Echoes | Frank Gordon |
| 1985 | Double Take | Freddie Hubbard & Woody Shaw |
| 1987 | Crystal Stair | Donald Harrison & Terence Blanchard |
| 1987 | Life Flight | Freddie Hubbard |
| 1987 | Eternal Triangle | Freddie Hubbard & Woody Shaw |
| 1987 | Imagination | Woody Shaw |
| 1988 | Black Pearl | Donald Harrison & Terence Blanchard |
| 1988 | Dreamboat | Manhattan Projects |
| 1988 | Dynasty | Jackie McLean |
| 1989 | Piccadilly Square | Carl Allen |
| 1989 | Sources of Inspiration | Donald Brown |
| 1990 | Full Circle | Donald Harrison |
| 1991 | The Time Is Now | Don Braden |
| 1991 | Wish List | Don Braden |
| 1991 | Cause and Effect | Donald Brown |
| 1991 | A City Called Heaven | Donald Byrd |
| 1991 | Greens | Benny Green |
| 1991 | One Day Spent | Vince Jones |
| 1991 | Jackie Mac Attack Live | Jackie McLean |
| 1991 | Rites of Passage | Jackie McLean Quintet |
| 1991 | New York Summit | Steve Wilson |
| 1991 | Indian Blues | Donald Harrison |
| 1991 | Evidence | Vincent Herring |
| 1992 | The Dark Side of Dewey | Carl Allen & Manhattan Projects |
| 1992 | Nut | Cyrus Chestnut |
| 1992 | The Nutman Speaks | Cyrus Chestnut |
| 1992 | The Nutman Speaks Again | Cyrus Chestnut |
| 1992 | Testifyin': Live at the Village Vanguard | The Benny Green Trio |
| 1992 | That's Right! | The Benny Green Trio |
| 1992 | Colors of Brooklyn | Pete Yellin & The Brooklyn Jazz Machine |
| 1993 | The Pursuer | Carl Allen |
| 1993 | Echoes of Our Heros | Carl Allen & Manhattan Projects |
| 1993 | After Dark | Don Braden |
| 1993 | Another Direction | Cyrus Chestnut |
| 1993 | Focusing In | Dan Faulk Quartet |
| 1993 | Blue Notes | The Benny Green Trio |
| 1993 | Folklore: Live at the Village Vanguard | Vincent Herring |
| 1993 | When The Time Is Right | Javon Jackson |
| 1993 | The Art of Blakey | Message |
| 1993 | A View From Manhattan | Henrik Meurkens |
| 1994 | Testimonial | Carl Allen |
| 1994 | Another's Point of View | Eddie Allen |
| 1994 | Remembrance | Eddie Allen Quintet |
| 1994 | Company I Keep | Art Farmer |
| 1994 | African Venus | Dewey Redman |
| 1995 | Full Range | Eric Alexander |
| 1995 | Car Tunes | Donald Brown |
| 1995 | Kush: The Music of Dizzy Gillespie | Ritchie Cole |
| 1995 | The Meaning of Art | Art Farmer |
| 1995 | Crossroad | The Kevin Hays Quintet |
| 1995 | Don't Let It Go | Vincent Herring |
| 1995 | MMTC: Monk, Miles, Trane, & Cannon | Freddie Hubbard |
| 1995 | The Lady and Her Music | Lena Horne |
| 1996 | Anthonyology | Anthony Wonsey |
| 1996 | Alto Summit | Phil Woods, Vincent Herring, Antonio Hart |
| 1996 | It's You or No One | Pete Yellin |
| 1997 | We Remember Cannonball | Carl Allen & Manhattan Projects |
| 1997 | Up Jumped Benny | Benny Golson |
| 1997 | Nouveau Swing | Donald Harrison |
| 1997 | Another Perspective | Anthony Wonsey |
| 1998 | Landmarks | Donald Byrd |
| 1998 | Like a Hurricane | Chris Hillman |
| 1998 | Trumpet Legacy | Nicholas Payton |
| 1998 | Pure Imagination | Eric Reed |
| 1998 | Mellow Soul | Pete Yellin |
| 1999 | Skim Coat | Carl Allen / Billy Childs / Buster Williams |
| 1999 | Made in NYC | Joey Berkley Quartet |
| 1999 | Jazz in Film | Terrence Blanchard |
| 1999 | Dance of Life | Xavier Davis |
| 1999 | From the Inside Out | Mike DiRubbo |
| 1999 | Sterling Place All Stars | Vincent Herring |
| 1999 | Topsy | Freddie Hubbard |
| 1999 | Ballads and Blues: The Brooklyn Session | Rodney Whitaker |
| 2000 | Everything I Love | Elaine Elias |
| 2000 | It's Like This | Rickie Lee Jones |
| 2000 | Tribute to the Trumpet Masters | Bryan Lynch |
| 2001 | The Sidewinder | Big Apples |
| 2001 | Best of Elaine Elias Vol. 1: Originals | Elaine Elias |
| 2001 | Times Change | Wayne Escoffery |
| 2001 | One Day Forever | Benny Golson |
| 2001 | Are You Married... | Miki Kono |
| 2001 | Live at the Village Vanguard | Mary Stallings |
| 2001 | Live at the Montreux Jazz Festival 1999 | Buster Williams |
| 2003 | Love Makes the Changes | Ernestine Anderson |
| 2003 | State of Mind | Dave Ellis |
| 2004 | Terminal 1 | Benny Golson |
| 2004 | Winter Moon | Rodney Whitaker |
| 2005 | Battle | Eric Alexander |
| 2007 | Get Ready | Carl Allen & Rodney Whitaker |
| 2007 | Hot Brass | Ricky Ford |
| 2007 | Many Moods of Benny Golson | Benny Golson |
| 2007 | For Art's Sake | Donald Harrison |
| 2007 | Kind of New | Donald Harrison |
| 2007 | Live at MCG | Dr. Billy Taylor and Gerry Mulligan |
| 2007 | Dear Friends | Miki Yamoka |
| 2008 | Brand New | Alex Graham |
Noise
- "My
ultimate goal is to get to a level like Art Blakey, Art Taylor, Elvin
Jones, and Billy Higgins and these cats who, every time they sit down
behind a set of drums it's swinging. The power of swing is
something else, and once I get to that level, everything else falls into
place." -Carl Allen
- "Young players have to understand the importance of being able to make the audience want to dance, which comes from having a strong sense of foundation. It’s cool if you can play the hippest Elvin lick. But the majority of your audience isn’t made up of musicians. They don’t sit there and think, ‘Oh, that lick’s from that record.’ But they will recognize if it felt good, or if it didn’t." -Carl Allen
- Carl Allen performed on over 150 different recordings and produced more than 70 albums.
- His ensemble, Carl Allen & The Art of Elvin, is a tribute to his two greatest influences, Art Blakey and Elvin Jones.
- Carl Allen has played with such artists as Michael Brecker, Randy Brecker,
Ruth Brown, Sammy Davis Jr., Kenny Garrett, Herbie Hancock, Joe
Henderson, Jennifer Holliday, Bobby Hutcherson, J.J. Johnson, Rickie
Lee Jones, Branford Marsalis, Nellie McKay, Wayne Shorter, and Phil
Woods.
- Carl is a spokesperson for the organization Jazz Against Drugs.
- "...once you step up to bat
and start waving that banner to say you are a professional jazz
drummer, you have a responsibility to uphold the legacy that people
have died for to put forth." -Carl Allen.
- He is a drum instructor, as well as Coordinator of Small Ensembles
and Interim Artistic Director of Jazz Studies at the Julliard Institute
for Jazz Studies in New York.
Instruments of Choice
Drums
| Drums: |
Drum Workshop |
| Cymbals: |
Sabian |
| Hardware: |
Drum Workshop |
| Heads: |
Evans |
| Electronics: |
Shure, Roland, Samsontech, Sibelius |
| Percussion: |
Puresound |
| Sticks: |
Pro-Mark |
Pics & Clips